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WERZ
vs
Shootsta

Boutique California crew vs. ship-yourself kit-based volume.

The difference

WERZ

WERZ is a Fresno-based studio that crews on-location across California, films on cinema cameras, and edits in-house. We do brand films, commercials, and social cuts as integrated projects — concept through delivery — for businesses that want senior creative attention on every frame.

Shootsta

Shootsta is a global video subscription service that ships gear kits to clients, has them film themselves, then edits remotely on a credit-based plan. Built for in-house teams producing high-volume content at predictable monthly cost.

Side-by-side

WERZ
Shootsta
Production model

Concept-to-delivery, on-location

Senior crew on every shoot

Self-record + remote edit

Client films with shipped kit

Crew on shoot day

Director + DP + sound + grip

Cinema-grade production

None — client crews themselves

Editor remote-only

Locations

Anywhere in California

We travel to your city

Wherever client is

Limited to client's setup

Cameras + lighting

RED / Sony FX cinema

Pro lighting + sound

Mirrorless kit

Suited to talking-head content

Edit + post

In-house, two revision rounds

Color, sound, motion

Remote editor pool

Variable creative direction

Pricing model

Per-project, scope-based

Transparent itemization

Monthly subscription + credits

Predictable but capped

Volume capacity

Quality over quantity

Limited active projects

High-volume by design

Built for content scale

FAQ

When is Shootsta a better fit than WERZ?

Shootsta is a great fit for in-house teams that need to produce a high volume of talking-head, social, or training content where production polish is less critical than throughput. If your team can comfortably film themselves and the goal is volume, Shootsta's subscription model can be cost-effective. If you need original creative direction, on-set production, or cinema-quality output, the model isn't well-suited.

Can WERZ match Shootsta's volume model?

We can run retainers that include monthly social-cut output, batch shoots producing 6–12 pieces per day, and quarterly campaigns. We optimize for production quality and original creative — not lowest-cost-per-asset. Most of our retainer clients ship 4–8 polished pieces per month rather than dozens of self-recorded ones.

How does pricing actually compare?

Shootsta's lowest tier starts around $1,000/month for limited credits and a kit. WERZ project work starts at $3,000 for a half-day shoot and 1–2 finished pieces. For comparable production quality (cinema cameras, full crew, original creative), Shootsta isn't the comparison — they're a different category.

Select Clients

DataRails
Compose AI
1971 Hook
Junk King
TalentSky
GovPlus
OneShop
EvoWalk
Cosmic

Selected Work

Founded 2018 · Central California

Let's make something.